With that said, here are seven of my best tips that will help set you up for success every time you sit down to create. And if you’d like additional personalized help, all of our Soundfly Mentors are equipped with time management and coaching training to help you take your project to the next level quicker and make it overall better sounding. Learn more about joining a four-week mentorship session here, and tell us about your personal musical goals here.
At the beginning of your four-week session, you and your mentor will lay out your goals and aspirations, what you’d like to accomplish, and/or what you’d like to improve upon. It’s our job to get you to that place, and give you the tools you need to move even further than that.
“Better Now”: So, how the heck does Post Malone do his vibrato thing, anyway? Another thing he does that’s uniquely him is that he really likes to sing different melodies in all the verse areas. It’s just not standard practice how often he does it. You’re making my form labels fall apart, Post, knock it off! Wait, your name is a form label… ouch, my brain!
Og rappers names
Four years later, I was on my first-ever DIY tour with the original lineup of band whose name I need not mention — it was a rough, January midwest tour… Cold and unforgiving. We maintained sanity by cancelling two of our Ohio shows and hanging out in Chicago for a week, where Borey Shin (composer and keyboardist extraordinaire) bought a Morricone soundtrack called Giornata Nera Per L’Ariete, and that drove the final nail into the coffin, so to speak. There was a Russian website at the time where you could pirate every Morricone soundtrack for free, so I started doing my homework.
This test that you can perform at home is important for two reasons. Firstly, it demonstrates how, when we talk about phase, we’re describing the relative relationship between the peaks and troughs of different waveforms and how they affect the cumulative volume. Secondly, the phase flip demonstrated above is one of the most common ways an (aspiring) audio engineer will relate to phase. Because simply inverting the phase of a signal can make so much of a difference to how it interacts with other signals, this functionality is built into a lot of audio equipment and is a cornerstone of good recording and mixing practice.
Before you get rid of something you should at least take the time to figure it out. If you still don’t like it you can put it back on the chopping block. But getting rid of something just because you didn’t give it a chance isn’t exactly fair. Learn it or lose it!
Course: Headliners Club
Music instrument grants for individuals
And while I’m on a food/beverage aside, La Cumbre Brewing Co. is a great local brewery that serves my favorite beer (Slice of Hefen; which actually is a slice of heaven) and just has a nice vibe about it. You’re guaranteed to make a friend here. It’s not too loud or stand-offish and they play excellent music.
“Dancing in the Street” is not a Bowie/Jagger original. It’s actually a cover of a song that was originally performed by Martha and the Vandellas and was written by Marvin Gaye. This version, however, is without a doubt the most famous modern rendition and representation of the old song. (Fun fact: It was also covered by Van Halen shortly before Bowie and Jagger did it.)
So whether you’re a musician eager to get some demos recorded at home, a producer looking to make better use of your personal space, or a fully committed DIY home recordist, we definitely have an online course for you. But which one is the right one? Let’s explore the options!
Chris Martin’s performance for Coldplay’s “Yellow” is a spontaneous masterpiece. The original concept for the music video was intended to be an elaborate beach party, but the miserable weather rendered this impossible. Martin had already missed a funeral for this video shoot and he was committed to capturing all of the footage despite the weather setbacks, so here we see Martin performing in a single shot as he walks down the beach drenched during the sunrise.
So normally with this series we look at lectures and videos that focus on a single artist, but today we’re throwing both of those concepts out the window and zooming in on a recent panel held at the annual Ableton Loop Conference featuring educators, not artists, and not one, but three of them. The panelists: Ethan Hein, Doctoral Fellow in Music Education at NYU, adjunct professor of music technology at NYU and Montclair State University, and Soundfly instructor; Melissa Uye-Parker, British songwriter, performer, and educator based in London; and Jack Schaedler, software developer at Ableton who has worked on Ableton’s microsite for learning music fundamentals. And the panel was moderated by none other than Dennis DeSantis, composer, sound designer, percussionist, and author, who is also Head of Documentation for Ableton.