For a tone, most of the area of the fingers and the edge of the palm will contact the drum. Move your hands towards you until your knuckles are just off the edge of the drum. Your fingers themselves should be over the drumhead. You strike the drumhead with all your fingers flat at the same time.
Let’s take it back a notch. You don’t have to memorize every single note on every string in every fret; that’s because of how the guitar is tuned and organized. We know that if we play open strings on the guitar, we will get the following notes:
A chaconne is supposed to be a dance, right? Bach wrote those note values the way he wrote them for a reason. Did he really want performers to assign any length they felt like assigning them? My gut tells me that he didn’t. I suspect that he probably played his own music in tempo, maybe with some phrasing and ornamentation but still with a clearly recognizable beat. I imagine him gritting his teeth at the rubato that modern performers use. Maybe that’s just me projecting my own preferences, but this sense comes from listening to a lot of Bach and performing some, too.
The best way we’ve found to practice identifying note intervals by ear is to associate each interval with a familiar song or melody that you could likely sing in your head already. All you have to do is commit a piece of the melody to memory, and voilà, you’re on your way to interval recall!
We’ll also be joined by our friends at Bandzoogle, TuneCore, and ReverbNation, and more, who will be posting content about home recording all week next week — all linked together in the same conversation with the hashtag #homerecordingweek.
Here are seven of the most common mistakes I see young producers make when adding reverb into their mixes, and how to prevent yourself from making them.
Using NYU MusEDLab’s embedded aQWERTYon widget here, or by joining our free Theory for Producers: The White Keys and Major Modes course and playing along to several other songs in different keys and modes, you can play along to “Under Pressure” directly in your browser! See if you can follow along with the chord changes, nail that classic bass line, or simply fuss around in the key of D Major.
Early in my career as an electric bassist, I was hired to play in a wedding band. Right off the bat, this meant adding thirty or so tunes from Billboard’s holy list to my existing repertoire in about three days’ time. That first gig went pretty well, and with a few hours of having new material under my belt, I figured I was through the thick of it… but no. The coming months saw a stream of strangers’ special days, each of which came with its very own, personalized collection of “Today’s Hits.” For a while there, I was learning tunes in real time (and thanks to some off-the-setlist song requests, there were definitely times when that was happening in a very literal sense). Unsurprisingly, the experience made my ear more accurate and even enhanced my melodic and harmonic vocabularies.
Gangsta rap 2019
Marty Fowler is always searching — searching for the right harmony, the right note, the best way to compose a new track, the path to musical enlightenment. As a highly in-demand bassist and electronic musician, he gets around. We caught up with him to find out a little more about what drives him.
Everyone can sing this tune off the top of their heads! Listen to “Frosty the Snowman,” and focus on when the lyrical syllables move from “fros” to “ty” at around 0:12.
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We have George Frideric Handel to thank for the next example, in a melody that would later be adapted as the holiday standard, “Joy to the World.” The minor second interval here appears with the lyrics “joy” and “to” at 0:04 in the version below. Easy enough!