Hein almost mentions this in passing, but it’s an interesting concept to keep in mind these days. Our new “teachers” may in fact be the unnamed, unseen, un-interacted-with software engineers and designers who created the DAWs (as well as the plugins inside them) that we use for almost all things musical in the 21st century. Those folks shaped how we learn about engineering and production, recording, and even composition, and learning to use their software inevitably means learning about those concepts from the lens of the software’s interface and application.
The second of two articles on time management, we switch gears today to focus on workflow tips and strategies, based on the writer’s years of experience.
If you must cook your vegetables, just be aware that that often removes much of the water and nutrient value. And of course any kind of melon, and specifically watermelon, will hydrate you fast.
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Another simple-to-remember example is the nursery rhyme, “Three Blind Mice.” The first two notes in the melody are what you’ll want to focus on, at 0:00.
Often I find myself using practice to shut my mind off and escape my day-to-day concerns. Playing becomes meditative. And there’s absolutely no way I’m going to stop doing this — it’s part of why I play music. Back off, Ericsson!
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The nearly 11-minute version of “Lost Someone” is a high point; Brown demonstrates his ability to ensconce his sexuality in a preacher’s cloak. Throughout this song, it feels like he’s beseeching the audience to believe in a higher power. Judging by the screams of the audience, I’d say he converted all of them. This style of performance would later go on to be emulated by other larger-than-life performers such as Prince or Bruce Springsteen.
Ellisa Sun cuts out her heart and leaves it on the stage — which is why she never wears white. Currently on her first national tour, Ellisa is showing she has what it takes to make it on her own. Just a guitar, a 30-foot RV, and an insatiable desire to perform. Raised in Los Angeles and (until recently) based in the San Francisco Bay Area, her sound is honest, heartfelt, and textured, combining elements of jazz, soul, and pop.
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And yes, it’s a masterwork. This isn’t just Japanese new-age hindsight fetishism at play here. Takada’s brilliant suite for marimbas and synthesizer brings Asian timbres and African polyrhythms in perfect contact with the minimalist language of composers like Steve Reich, Terry Riley, and Brian Eno. The fact that this record never made it out of Japan was a cultural crime that needed to be rectified.
It’s like how they say “we eat with our eyes first” when we go to restaurants — presentation matters. Some bands and musicians feel that this can cheapen their music, or they don’t like “playing those games.” I call those people naïve.
“I am very, very happy I found out about Soundfly. Tim was great. Polite, professional, and easy to reach. I have been making beats since 1999 but learned a lot from your course and from Tim.”